The Dead Secret
Wilkie Collins and Ira B. Nadel (ed.)
‘Oh, my God! to think of that kind-hearted, lovely young woman, who brings happiness with her wherever she goes, bringing terror to me! Terror when her pitying eyes look at me; terror when ...
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Man and Wife
Wilkie Collins and Norman Page (ed.)
This time the fiction is founded upon facts' stated Wilkie Collins in his Preface to Man and Wife (1870). Many Victorian writers responded to contemporary debates on the rights and the ...
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The Law and the Lady
Wilkie Collins and Jenny Bourne Taylor (ed.)
Valeria Woodville’s first act as a married woman is to sign her name in the marriage register incorrectly, and this slip is followed by the gradual disclosure of a series of secrets about ...
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Armadale
Wilkie Collins and Catharine Peters (ed.)
Armadale tells the devastating story of the independent, murderous, and adulterous Lydia Gwilt. This traditional melodrama also considers the modern theme of the role of women in society.
Jezebel's Daughter
Wilkie Collins and Jason David Hall (ed.)
‘The power that I have dreamed of all my life is mine at last!’ How far is a mother prepared to go to secure her daughter's future? Madame Fontaine, widow of an eminent chemist, has both ...
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The Woman in White
Wilkie Collins and John Sutherland (ed.)
The Woman in White (1859-60) is the first and greatest ‘Sensation Novel’. Walter Hartright’s mysterious midnight encounter with the woman in white draws him into a vortex of crime, poison, ...
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Hide and Seek
Wilkie Collins and Catherine Peters (ed.)
At the centre of Hide and Seek (1854) a secret waits to be revealed. Why should the apparently respectable painter Valentine Blyth refuse to account for the presence in his household of the ...
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The Moonstone (3 ed.)
Wilkie Collins and Francis O'Gorman (ed.)
‘Who, in the name of wonder, had taken the Moonstone out of Miss Rachel's drawer?’ A celebrated Indian yellow diamond is first stolen from India, then vanishes from a Yorkshire country ...
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