Show Summary Details
- Introduction
- Note on the Text
- Select Bibliography
- A Chronology of Nathaniel Hawthorne
- List of figures
- THE MARBLE FAUN
- I: Miriam, Hilda, Kenyon, Donatello
- II: The Faun
- III: Subterranean Reminiscences
- IV: The Spectre of The Catacomb
- V: Miriam’s Studio
- VI: The Virgin’s Shrine
- VII: Beatrice
- VIII: The Suburban Villa
- IX: The Faun and Nymph
- X: The Sylvan Dance
- XI: Fragmentary Sentences
- XII: A Stroll on the Pincian
- XIII: A Sculptor’s Studio
- XIV: Cleopatra
- XV: An Æsthetic Company
- XVI: A Moonlight Ramble
- XVII: Miriam’s Trouble
- XVIII: On the Edge of a Precipice
- XIX: The Faun’s Transformation
- XX: The Burial Chaunt
- XXI: The Dead Capuchin
- XXII: The Medici Gardens
- XXIII: Miriam and Hilda
- XXIV: The Tower Among the Apennines
- XXV: Sunshine
- XXVI: The Pedigree of Monte Beni
- XXVII: Myths
- XXVIII: The Owl-Tower
- XXIX: On the Battlements
- XXX: Donatello’s Bust
- XXXI: The Marble Saloon
- XXXII: Scenes by the Way
- XXXIII: Pictured Windows
- XXXIV: Market-Day in Perugia
- XXXV: The Bronze Pontiff’s Benediction
- XXXVI: Hilda’s Tower
- XXXVII: The Emptiness of Picture-Galleries
- XXXVIII: Altars and Incense
- XXXIX: The World’a Cathedral
- XL: Hilda and a Friend
- XLI: Snow-Drops and Maidenly Delights
- XLII: Reminiscences of Miriam
- XLIII: The Extinction of a Lamp
- XLIV: The Deserted Shrine
- XLV: The Flight of Hilda’S Doves
- XLVI: A Walk on the Campagna
- XLVII: The Peasant and Contadina
- XLVIII: A Scene in the Corso
- XLIX: A Frolic of the Carnival
- L: Miriam, Hilda, Kenyon, Donatello
- Postscript*
- Explanatory Notes
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- Introduction
- Note on the Text
- Select Bibliography
- A Chronology of Nathaniel Hawthorne
- List of figures
- THE MARBLE FAUN
- I: Miriam, Hilda, Kenyon, Donatello
- II: The Faun
- III: Subterranean Reminiscences
- IV: The Spectre of The Catacomb
- V: Miriam’s Studio
- VI: The Virgin’s Shrine
- VII: Beatrice
- VIII: The Suburban Villa
- IX: The Faun and Nymph
- X: The Sylvan Dance
- XI: Fragmentary Sentences
- XII: A Stroll on the Pincian
- XIII: A Sculptor’s Studio
- XIV: Cleopatra
- XV: An Æsthetic Company
- XVI: A Moonlight Ramble
- XVII: Miriam’s Trouble
- XVIII: On the Edge of a Precipice
- XIX: The Faun’s Transformation
- XX: The Burial Chaunt
- XXI: The Dead Capuchin
- XXII: The Medici Gardens
- XXIII: Miriam and Hilda
- XXIV: The Tower Among the Apennines
- XXV: Sunshine
- XXVI: The Pedigree of Monte Beni
- XXVII: Myths
- XXVIII: The Owl-Tower
- XXIX: On the Battlements
- XXX: Donatello’s Bust
- XXXI: The Marble Saloon
- XXXII: Scenes by the Way
- XXXIII: Pictured Windows
- XXXIV: Market-Day in Perugia
- XXXV: The Bronze Pontiff’s Benediction
- XXXVI: Hilda’s Tower
- XXXVII: The Emptiness of Picture-Galleries
- XXXVIII: Altars and Incense
- XXXIX: The World’a Cathedral
- XL: Hilda and a Friend
- XLI: Snow-Drops and Maidenly Delights
- XLII: Reminiscences of Miriam
- XLIII: The Extinction of a Lamp
- XLIV: The Deserted Shrine
- XLV: The Flight of Hilda’S Doves
- XLVI: A Walk on the Campagna
- XLVII: The Peasant and Contadina
- XLVIII: A Scene in the Corso
- XLIX: A Frolic of the Carnival
- L: Miriam, Hilda, Kenyon, Donatello
- Postscript*
- Explanatory Notes
